Bootsie's Big '50s: a Dark Laughter collection Moebius Production Lastly we end the whole

Lastly we end the whole thing with a giant helping of original strips from some of the usual suspects like Roger Langridge

Color and Light bridges the gap between abstract theory and practical knowledge

An exhibition catalog from the Cartoon Art Museum in San Francisco

her highly imaginative but intimate illustrations incorporate colorful natural elements such as plants

the main city on the Kolonie grew into a huge metropole and for more than a decade its spaceport was one of the busiest of the entire universe

Bootsie's Big '50s: a Dark Laughter collection Moebius Production Lastly we end the wholeA bit of cartoon history! From the publisher: "Negro America's Favorite Cartoonist" that's what Langston Hughes called Ollie Harrington, whose cartoons and comic strips were a staple of America's Black newspapers for decades starting in the 1930s. In his single panel series "Dark Laughter," Harrington brought out the vibrancy of Harlem life in its day, while serving some cutting looks at the politics of the time. At the heart of "Dark Laughter" is